![]() ![]() And now let us to the history of this most thrilling of all mediæval myths, if a myth. I can linger over those noble woodcuts, and learn from them something new each time that I study them they are picture-poems full of latent depths of thought. Or, that last scene, when the trumpet sounds and earth is shivering to its foundations, the fire is bubbling forth through the rents in its surface, and the dead are coming together flesh to flesh, and bone to bone, and muscle to muscle-then the weary man sits down and casts off his shoes! Strange sights are around him, he sees them not strange sounds assail his ears, he hears but one-the trumpet-note which gives the signal for him to stay his wanderings and rest his weary feet. Or, is that other illustration more remarkable, where the wanderer is amongst the Alps, at the brink of a hideous chasm and seeing in the contorted pine-branches the ever-haunting scene of the Via Dolorosa, he is lured to cast himself into that black gulf in quest of rest,-when an angel flashes out of the gloom with the sword of flame turning every way, keeping him back from what would be to him a Paradise indeed, the repose of Death? ![]() We feel that he is recalling the tragedy of the first Good Friday, and his head hangs heavier on his breast, as he recalls the part he had taken in that awful catastrophe. For a moment we see the working of the miserable shoemaker’s mind. But I refer rather to the second, which represents the Jew, after the lapse of ages, bowed beneath the burden of the curse, worn with unrelieved toil, wearied with ceaseless travelling, trudging onward at the last lights of evening, when a rayless night of unabating rain is creeping on, along a sloppy path between dripping bushes and suddenly he comes over against a wayside crucifix, on which the white glare of departing daylight falls, to throw it into ghastly relief against the pitch-black rain-clouds. I do not refer to the first illustration as striking, where the Jewish shoemaker is refusing to suffer the cross-laden Savior to rest a moment on his door-step, and is receiving with scornful lip the judgment to wander restless till the Second Coming of that same Redeemer. WHO, that has looked on Gustave Doré’s marvellous illustrations to this wild legend, can forget the impression they made upon his imagination? This online edition was created and published by Global Grey on the 27th February 2023. This edition was first published in 1877. Available in multiple styles and/or additional parts for installation.Curious Myths of the Middle Ages Sabine Baring-Gouldįirst published in 1866.Translucent PVC Plastic – See configurations during installation and observe device in real time.Increase Worker Safety following OSHA Guidelines.The cover should snap into place and just as easily snap out of place.Īvoid OSHA fines and worker injuries with these simple to install and use electrical mud ring covers. Simply press the cover on to its desired location. These covers not including any other provided equipment are recyclable.Įasily install our covers without the need for any tools or equipment. Our prefab items are used by major contractors and prefab shops throughout the United States. ![]() ![]() All our covers are translucent to guarantee easy observation and configuration during and after installation. The PVC plastic of these covers are router proof creating a product perfect for any prefab or pre-wire environment. Our electrical prefab outlet items are designed to withstand harsh conditions on the job site. Translucent yellow PVC provides easy observation of the device during installation and while it remains in use. It also offers great protection from drywall installation, taping, textures, sanding dust, primers, and paint. These covers offer convenient protection during electrical rough-in wiring and prefab assembly, plug tail applications, and low volt wiring. 1 Gang Mud Ring Covers from our electrical prefab line are built to fit all major brands of mud ring blanks. ![]()
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